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Installation view of Jasper Johns Prints at Craig F. Starr Gallery

Installation view of Jasper Johns Prints at Craig F. Starr Gallery

Installation view of Jasper Johns Prints at Craig F. Starr Gallery

Installation view of Jasper Johns Prints at Craig F. Starr Gallery

Installation view of Jasper Johns Prints at Craig F. Starr Gallery

Installation view of Jasper Johns Prints at Craig F. Starr Gallery

Installation view of Jasper Johns Prints at Craig F. Starr Gallery

Installation view of Jasper Johns Prints at Craig F. Starr Gallery

Installation view of Jasper Johns Prints at Craig F. Starr Gallery

Installation view of Jasper Johns Prints at Craig F. Starr Gallery

0 through 9, 1960, Lithograph

0 through 9, 1960

Lithograph

30 x 22 inches
 

Flag I, 1960, Lithograph

Flag I, 1960

Lithograph

22 x 30 inches

Flag II, 1960, Lithograph

Flag II, 1960

Lithograph

24 x 32 inches.

Flag III, 1960

Flag III, 1960
Lithograph

22 1/4 x 30 inches

0-9, 1963 Lithograph

0-9, 1963
Lithograph

20 1/2 x 15 3/4 inches

Hatteras, 1963, Lithograph

Hatteras, 1963

Lithograph

41 x 29 inches

Two Maps II, 1966, Lithograph

Two Maps II, 1966

Lithograph

33 x 26 1/2 inches

Corpse and Mirror, 1976, Lithograph

Corpse and Mirror, 1976

Lithograph

30 3/4 x 39 1/4 inches

Foirades/Fizzles, 1976, Intaglios

Foirades/Fizzles, 1976

Intaglios

13 x 10 inches

Seasons, 1989, Intaglio

Seasons, 1989

Intaglio

26 3/4 x 58 1/4 inches

Flag on Orange, 1998, Etching and aquatint

Flag on Orange, 1998

Etching and aquatint

17 3/4 x 11 3/4 inches

Savarin 6, 1979, Color lithograph

Savarin 6, 1979

Color lithograph

26 x 20 1/2 inches

Press Release

NEW YORK – Craig F. Starr Gallery is pleased to announce Jasper Johns Prints, which runs from October 10 through November 26, 2008. The exhibition is a selection of the artist’s graphic work, including a range of motifs such as flags, numbers, and maps. A fully illustrated catalogue accompanies the exhibition with an essay by poet, critic, and editor John Yau. 

In 1960 Tatyana Grossman invited Jasper Johns to ULAE, her printmaking workshop on Long Island. There he began what would become a lifelong involvement with the medium. His initial efforts were with lithography, then gradually expanding to invlude other printmaking techniques such as etching, silkscreen, and aquatint, sometimes combining more than one process within a single work.

Printmaking allowed Johns to expand upon ideas already present in his work, such as layering, doubling, positive and negative inversions, and the tripartite divisions of his color palette. The layering of numbers in 0 Through 9, 1960, for example, challenges the viewer to distinguish the factual reality of the individual numerals and simultaneously to look “through” them, to look at these familiar symbols and to behold their strangeness. In his Flag series of 1960, each of three works is printed in black, white, or gray and is further differentiated by changes in the stone matrix—each work is not only a new color, but a new image.

Also included in the show is Johns’ rare 1960-63 0-9 portfolio with its original balsa wood box and the 1962 lithograph False Start II. Examples of both of these works were recently on view at the Metropolitan Museum of Art’s exhibition Jasper Johns Gray